Sibling duo Charlie Belle, at just 22 and 19-years-old, has been a band for 12 years. New singles arriving this fall.

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When national attention came to the sibling duo Charlie Belle in 2014, Jendayi and Gyasi Bonds were literally just kids. Sixteen and fourteen-years-old at the time, they were both already veterans of the Austin music scene when their debut EP “Get To Know” blew up.

Press came from NPR, Nylon, MTV, Vice, Wired and others, and Jendayi and Gyasi appeared together on the cover of their local paper, the Austin Chronicle. Two new singles by sister-brother duo Charlie Belle arrive this fall. “Looking For Magic” is out Sept. 18th, with “What About Me?” following on Oct. 16th.

First album in thirteen years from Elephant 6 Recording Co., Apples In Stereo co-founder arrives Nov. 20th

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Hilarie Sidney of The High Water Marks is the co-founder of one of the most influential musical collectives of the past, oh, forever amount of years.

Elephant 6 is a storied and now, legendary, musical collective, and Sidney was at its nucleus as a founding member of The Apples in stereo.

“I am so lucky to have been a musician throughout my life,” Sidney says. “Having been in the Apples since 1993, I started to have many more songs than could ever be released.”

Sidney found a new musical partnership when she formed The High Water Marks, releasing a debut album (Songs About The Ocean) in 2003. The record was written through the mail with her now-husband and bandmate, Per Ole Bratset, whom she initially met at an Apples gig in Norway in 2002. A follow-up album (Polar) arrived in 2007.

Sidney then headed in another direction after being awarded a prestigious study abroad scholarship at the University of Oslo.

“Moving to Norway was everything I had hoped it would be,” she says.

Thirteen years later, The High Water Marks, have completed a new album that reflects the maturity, perseverance, songwriting, and performing talent that made Sidney’s contributions to Elephant 6 and the Apples so integral.

If she was marginalized at the time, those notions are blown out by Ecstasy Rhymes, 38 minutes of perfect power pop that will take any fan of the songs that Sidney contributed to Apples recordings – her voice is instantly recognizable – right back to the most potent days of that band’s career.

As he did on previous releases, Bratset also contributes lead vocals on several songs, all of which were co-written with Sidney. The band is completed by Logan Miller (Bass, Guitar, Drums) along with Øystein Megård (Drums, Keyboards, Backing Vocals.)

“I feel like for the first time ever, we have a dream team,” she says.

Sidney’s luck as a musician hasn’t run out yet.

Christopher the Conquered's upcoming "I Am Christopher," arriving Sept. 25th via Grand Phony, is more autobiographical, self-effacing, humorous than ever before.

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“There is something deeply off about everything that’s happening here and I’m 100% sold.” – Brightest Young Things

“You know Garfield, he’s a cartoon cat, you got a telephone in the shape of his body yeah, but you don’t pick it up! Why don’t you pick it up? Pick it up!” – Christopher the Conquered

Thought it was a lyric from the next Justin Timberlake album, huh? Justin Timberlake wishes it was. The casual groove intermingles with a chorus of female background vocalists and a horn section, but it’s the “deeply off” that owns.

Yes, it’s actually Christopher the Conquered who is bringing sexy back on his latest album I Am Christopher (Grand Phony, Sept. 25th), opening with this cut and heading right into the album’s first single “Put It On Your Credit Card,” which is what Christopher (actual last name Ford) says you should do “when life gets hard” because “those motherfuckers got enough money anyway.”

A mere two sentences in and life advice has been given, even gifted, if you will.

Gloom Balloon assembles two-dozen musicians for orchestral, expansive, masterful new album, out Sept. 25th via Grand Phony

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In name alone, Gloom Balloon represents grand ups and grand downs.

The new album from Des Moines, Iowa-based mastermind Patrick Tape Fleming does, too. From its Sgt. Pepper’s-riffing cover (a theme of visual homage that has stretched across three full-lengths) to its compelling short story of a title (So Bergman Uses Bach To Get His Point Across, I Feel Like I Have Chosen Rock But At What A Cost), to the record’s sweeping opening track, “Tru Love Waits,” featuring what feels like a church choir preaching its only lines, “Don’t you ever say goodbye. Don’t you make your baby cry. True love waits, it never dies.”

Tape Fleming lists no less than 32 instruments attributed to himself (including Static Electricity, Box of Bulbs, and of course, Balloons) in the album’s liner notes, before going on to rattle off another 22 participants in this recording. At a time when we as a people are isolated, and artists are making recordings that reflect isolation, Gloom Balloon’s latest (Grand Phony, Sept. 25th) sounds communal, and that’s needed.

Three acclaimed songwriters convene in Baltimore to form Reforester. Debut EP "Perpetuity" out Aug. 14th.

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Steven Hefter’s 2011 album, released under the clever moniker of St. Even, was called a masterpiece twice, once by the Baltimore City Paper (“a masterpiece of dark pop songwriting”) and again by Portland, Oregon’s Willamette Week (“Spirit Animal is a masterpiece.”)

So, that’s it. That’s the news. You should listen to Hefter’s latest songs with his latest band Reforester because he’s that good.

Need more convincing? Okay, let’s get into that.

Hefter left Portland in 2017 and returned to Baltimore and his good friend and collaborator, Austin Stahl, who he has previously played with as the rhythm section of long-running Baltimore-based band Small Sur – a band that has released three albums to date and shared stages with Angel Olsen, Damien Jurado, Vetiver, Strand of Oaks, Phosphorescent, and others.

With Reforester, Hefter and Stahl (who is also the recipient of some not-faint praise, being named “Baltimore’s Best Singer-Songwriter” by the Baltimore City Paper) have rounded out the trio with Hefter’s former Challenge Club bandmate Chris Laun, who may have been mistakenly overlooked by the local press, but did have his tribute song to the Baltimore Orioles played at Camden Yards on opening day, which frankly, may be the win out of these three.

In summation, Reforester is a whole-is-greater-than-the-sum-of-its-parts scenario, because masterful songwriters flock together.

“Perpetuity,” the debut EP by Reforester, is out Aug. 14th, 2020.

Speaker Face offers earthy electronics on immersive new album "Crescent," out Oct. 9th

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Toronto, Canada’s Speaker Face is a meeting of earth and electronics from two members of the JUNO award winning band The Fretless. Trent Freeman and Eric Wright are joined by Ruby Randall, whose voice haunts with an honest beauty that can’t be forgotten.

The band’s transportive new album Crescent (Oct. 9th, 2020) is an immersive experience, layered with keys, beats, and atmospheric production, but also incorporating the propulsive strings that have made Freeman and Wright essential players in the mainstreaming of traditional Irish folk music with The Fretless.

Dream System 8's upcoming single inspires a movie that has yet to be written.

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Sometimes they say, “This song is so cinematic, it must have been written for a movie,” but does anyone say, “This song is so cinematic, it must have a movie written for it?” The upcoming Dream System 8 (David Klotz and Erica Elektra) single is the one waiting for a screenwriter to bang out the story of a couple you’ll grow attached to in three minutes flat. "I'm Sure Of This Ending For Us" is out Aug. 7th on Minty Fresh. Fun fact: Dave is the Emmy® winning Music Editor of “Stranger Things,” and is the man responsible for recording the viral version of “The Never Ending Story” from last season's finale.

Atlanta foursome The Pinx to follow-up 2019's "Sisters & Brothers" album with "Electric!" EP on Aug 14th

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“I was just straight-up shooting for Hellacopters and Led Zeppelin. I’m a blues guitarist in a rock band,” says Adam McIntyre of The Pinx.

Whether or not the above amounts to a confession, McIntyre’s declaration of direction amounts to an intriguing version of the Atlanta-based band’s trademark dueling guitar sound, as last heard on its third album Sisters & Brothers, released in 2019.

This time the duels draw blood.

But, instead of reading about it, check out “It’s Electric,” the title track from the band's upcoming EP “Electric!,” on July 17th. Full EP arrives Aug. 14th.

Alex Lilly follows-up 2019 debut album with three-song "Love In Three Colors" bundle on July 31st

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My mom says every time I return to good spirits that the bitch is back,’” says Alex Lilly of her mother, who recently captured a photo of her daughter’s bitchy backness out in the yard, sniffing a rose, and cradling her Casio digital guitar. The photo accompanies the release of “Love In Three Colors,” a new three-song bundle,  out July 31st from Release Me Records, that Lilly describes as, “a trilogy chronicling a relationship’s disintegration, aftermath, and the sunny side of being free of it.”

The Orange Peels say "Thank You" on first new music since 2018; Reissue of 1997 debut album forthcoming.

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The Orange Peels will release “Thank You,” a song of gratitude, and the first single from the sessions for the California band's upcoming double-album, this Friday, May 8th via Minty Fresh.

The song represents the first new music from the band since 2018. The Orange Peels leader Allen Clapp says the new tune "could be the most openhearted thing the band has ever recorded."

Prior to the release of the new album this fall, June 26th will see the reissue of Square, the band's 1997 debut, in an expansive edition comprised of a freshly remastered version of Square on 180-gram vinyl, accompanied by two CDs containing the remastered album, bonus tracks, alternate mixes, and four-track demos.

Affectionately referred to as Square³, Square Cubed, or Square x 3, the collection's 40 tracks tell the story of the evolution of Allen Clapp and His Orchestra into The Orange Peels.

Inara George welcomes a new bundle: The Bird and The Bee vocalist to release new music June 5th

“The Youth of Angst” cover art from a photograph by RJ Shaughnessy.

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Inara George welcomes a new bundle!

The Bird and The Bee vocalist has been getting together with producer Wendy Wang for a couple of hours, here and there, off and on over the past few years, working on a handful of songs that will now be released on June 5th via Release Me Records.

The three-song bundle "The Youth of Angst" features the songs "1973," "Brother," and "Sex In Cars" and is the first in a planned series of collaborative releases "with a little theme and not the huge pressure of a full album," George explains.

"I like the idea of doing little collaborations, especially in these times of isolation. With so many musicians and music industry friends out of work, it’s also an opportunity to keep them working.”

Former members of Seattle-based favorite Carissa’s Wierd to release long-delayed album as Figg

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Figg, the Seattle-based duo of Robin Peringer and Gilden Tunador, was originally scheduled to release its debut album a decade ago. Peringer’s musical past is like a giant quilt of the Northwest music scene, having played guitar in Modest Mouse, 764-HERO, Love as Laughter and many more luminaries of the region.

When he teamed up with Tunador, the duo found local admiration and ultimately national attention as part of the (intentionally misspelled) band Carissa’s Wierd.

It seemed like the right moment for Figg’s debut. Unfortunately shoved, then shelved, the album’s champions went away, a music industry story heard too many times. Jump to a decade later, and now, a new moment has emerged for Peringer and Tunador.

Figg’s self-titled debut, sounding fresh as ever, will finally see a national record release, following a brief stint online that earned the album's lead track a 2017 "Song of The Day" nod from Seattle's KEXP, on June 12th, 2020.

Former member of slowcore pioneers Idaho, Pete Yorn's Dirty Bird, to release debut EP as Blesson Roy

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Life-long “music lover and music doer,” Terry Borden is a child of 1970’s California who accomplished 250-plus tour dates a year throughout the early 2000’s as a member of slowcore pioneers Idaho and singer-songwriter Pete Yorn’s backing band Dirty Bird. On May 8th, Terry will release the “Time Is A Crime” EP, the first music from his own dreamy pop project, Blesson Roy. First single “In Tune With The Moon” out April 10th from Slow Start Records.

Milwaukee-based traveling troubadour D.B. Rouse to release distinctly dark EP "Nobody" on March 6th.

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“Kids love mud,” says D.B. Rouse. “I sat down to write a kid’s song about mud and this thing came out instead.” A constantly traveling troubadour, poet and novelist, the Milwaukee-based migrant musician (he actually says home is wherever the van is parked) will release a new four-song EP “Nobody” on March 6th, 2020. Read more about D.B. Rouse and “Nobody” here.