Maylee Thomas interviews Chris J. Norwood for Texas Homegrown Music, a podcast as well as a broadcast on 93.5 FM in Dallas

PODCAST INTERVIEW


This week's Texas Homegrown Music podcast (originally broadcast on 93.5 FM The Range) has host Maylee Thomas in conversation with Chris j. Norwood! So glad Chris has had so many opportunities to speak about the songs on his new album ๐˜ ๐˜ˆ๐˜ฎ ๐˜•๐˜ฐ๐˜ต ๐˜Š๐˜ฐ๐˜ฐ๐˜ญ.

Thereโ€™s such an amazing confluence of humor and poignancy on this record, which is just out as of last Friday on State Fair Records. Get it here.

Mark Bryan revisits Who's Next on the Records Revisited podcast

INTERVIEW


I was teasing Mark Bryan, calling him psychic, for suggesting The Whoโ€™s Whoโ€™s Next as the subject of an episode of the fab Records Revisited Podcast. Mark picked it months ago; then, about a month after taping, an avalanche of press hit about the album's 50th anniversary. Good thing too, as Mark's knowledge of this album supersedes much of the journalism about the record and heโ€™s able to discuss it as both a fan and technician.

Mark's solo album Midlife Priceless is out now on Stone Point Records, distributed by Slow Start Records.

Chris J. Norwood takes fellow musician Emmeline on the journey of his song "Good Guy With A Gun"

PODCAST INTERVIEW


"'How do you stop a good guy with a gun?' This poignant question concludes the chorus of Chris J. Norwoodโ€™s brand new single." I'm loving the latest episode of the Journey Of A Song podcast with host Emmeline discussing "Good Guy With A Gun" from Chris' just-released new album ๐˜ ๐˜ˆ๐˜ฎ ๐˜•๐˜ฐ๐˜ต ๐˜Š๐˜ฐ๐˜ฐ๐˜ญ on State Fair Records. The two โ€œtalk about telling one's story through music, how songs can give each of us better perspective and deeper empathy, and how music has the potential to start important social conversations."

American Songwriter goes deep with J Hacha De Zola, breaking down the process and vision behind new LP Easy of Eden

FEATURE


โ€œJ Hacha De Zola is mostly self-deprecating when it comes to his art, but thereโ€™s a methodical movement to his musical madness," writes Tina Benitez-Eves, doing an incredible thing at American Songwriter and digging deep for this overview.

Iโ€™ve worked with J for a long time, and it's one of those situations where I have the privilege of seeing an artist create a persona and then systematically step into it over time. This piece reflects that back to meโ€ฆ love it! Okay, back to the hype: ๐˜Œ๐˜ข๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜Œ๐˜ฅ๐˜ฆ๐˜ฏ is out now. Listen to it over and over and over at Fanatic.lnk.to/JHachaDeZola-EastOfEden

According to Ghettoblaster, J Hacha De Zola's "Sad Song" is "a love song that has no comparison in its majesty." Damn!

FEATURE


J Hacha De Zolaโ€™s fifth album East Of Eden is out now and receiving lots of love because it's lovely. Ghettoblaster has been going deep, interviewing De Zola and naming the deep cut "Sad Songโ€ - a deep song itself - as one of the "The Best Songs This Year (So Far)," saying, โ€œItโ€™s a love song that has no comparison in its majesty." Well, damn!

J Hacha De Zola bares his soul in a far-reaching interview with Ghettoblaster

INTERVIEW


In a far-reaching interview, J Hacha De Zola tells Ghettoblaster about a grip of heady topics including growing up as the son of immigrants, his early love for Afro-Cuban music, and how heโ€™s always striving to create something unique with his music. Heโ€™s succeeded on ๐˜Œ๐˜ข๐˜ด๐˜ต ๐˜ฐ๐˜ง ๐˜Œ๐˜ฅ๐˜ฆ๐˜ฏ (out now via Caballo Negro), which, as Ghettoblaster notes, is a vivid expansion of his โ€œurban junkyardโ€ aesthetic.