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Fanatic is teaming up with Altered Innocence for the upcoming US theatrical release of the "Queercore: How To Punk A Revolution" documentary. Into drops the trailer today along with a list of confirmed dates.
See the semi-NSFW video for "Hottie Tottie" by Big Fresh at Northern Transmissions
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"Is the video a modern day metaphor for Bobby Riggs vs. Billie-Jean King, or just some boys and girls having some fun, we will leave it up to you to decide," asks Northern Transmissions. Here is the music video for "Hottie Tottie" from the new Big Fresh EP "Sweeps," out now from Desperate Spirits.
Fawns of Love share cover of "Rocket Science" by The Chills with MAGNET
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Fawns of Love x The Chills! Hear the married Bakersfield-based duo covering "Rocket Science" from the forthcoming "Part Time Punks Sessions (plus 'Rocket Science')" EP, out Aug. 24th. MAGNET Magazine provides the not-so-Chilly, Fawning love.
Static Diary (Scott Danbom of Centro-matic) shares "UFO's" with PopMatters
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"It's an adventure... feeling as ethereal as its name might imply. Unassumingly infectious," says Jonathan Frahm of PopMatters. "UFO's" is taken from the upcoming debut by Static Diary, the new project of Scott Danbom of Centro-matic (out July 27th from Goliad Media Group.) Danbom's former bandmate Will Johnson makes several appearances on the album as well.
The March Divide shares first "Anticipation Pops" single
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Today, Jared Putnam of The March Divide chats with Glide Magazine and shares his two-minute gem of a single "I Don't Care" from "his best work to date," the upcoming new album Anticipation Pops, out Aug. 24th on Slow Start Records.
the black watch shares "Oh You Little Witch" with PopMatters
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Happy release day to the black watch! "The Paper Boats" EP is four songs that stand apart from a brand-new album already cooling on the rack for consumption later this year (news soon!) For now, give a listen to "Oh You Little Witch" over at PopMatters. Scribe Jedd Beaudoin says the song is "buoyed by a Manchester-style bassline, sparse but chiming, uplifting guitars and spacious drums that lift the song as much as John Andrew Fredrick's singular, charming vocal delivery."