Bio: Nite Club is the project of multi instrumentalist Richard Spitzer. Born into a Orthodox Jewish/ Cuban family, music was a natural part of daily life. Either the salsa and mambo infused family parties or the introspective soulful prayer at the ultra Orthodox Hebrew Temple. Diversity in music was Spitzer's calling since he was little. [more] Hi-Res Photos:  | | 300 dpi JPG |
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On The Web: www.myspace.com/niteclubmusic www.myspace.com/tapetheorymusic "No Matter Which Way" Video "Good Life" Video
Bio (Continued): Spitzer started performing at rave events at 16-years-old. He blossomed as a player with prog rock, punk and live drum n' bass groups using modern classical composition as his backdrop. Spitzer pursued a music education in college where he was composition classmates with electronic artist Dan Deacon.
Spitzer has performed across the US, Europe and Japan opening for The Rapture, The Roots, Jamie Lidell, Lightning Bolt, DJ Oscar G, DJ DB, Kool Keith, and The Locust. Spitzer has also performed at major international superclubs such as Crobar, Avalon, and Spirit.
Currently, Spitzer enjoys collaborations and remix projects with his Japanese extend musical family including of members of j-hip-hop group SBK and the first nu rave / minimal techno band from Japan, The Samos. Showcased in the live setting Nite Club becomes a collaboration with Osbourne (Ghostly International) drummer Steve Bryant. Their combined background of live jungle, indie rock and hip hop makes for a upbeat and dreamy atmosphere reminiscent of early 90's UK rave scene.
Manipulating all kinds of instruments Spitzer's experiences come together with Nite Club. While having the New York night life as his backdrop he creates a beautiful project that shines in the night sky.
Press Quotes: "This Brooklyn young man offers some of the best electronic pop music that you'll ever find. It's airy and mildly complex in structure/execution. It's just down right beautiful." "Best of '08" - OpinionHated
"The set commenced without hesitation, ushering the listener into a whirlwind of fast tempos, jazz-like harmonies, and a cornucopia of lush melodies built from tasteful synthesized sounds. Completing this aural tapestry was Richard's elegant tenor voice, The risk of sounding too effeminate or overly pre-sequenced was averted by the use of a drummer (Steve Bryant). Every song of the set featured a drum break; one song resembled James Brown's 'Funky Drummer' turned 50% faster. Richard's act creates an ideal night club atmosphere. And his wardrobe alone is worth the price of admission." - Knocks From The Underground
"Pay attention to this up and coming artist! He expresses shoe gaze, indie rock melancholy filtered through electronic and club oriented sounds." - CD Journal (Japan)
"No matter which way: Easily one of my favorite songs from last year, still relatively new and if you are in to any form electro music you will enjoy this..." - Tomorrows Music Today
On The Web: www.myspace.com/niteclubmusic www.myspace.com/tapetheorymusic "No Matter Which Way" Video "Good Life" Video
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